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@mcnees Your dog avatar makes this suggestion seem all the more plausible. 😉

For a moment I thought one of the sub menu options was to “mock” the OP, but looking again realized it was a more straightforward “block” feature.

Blasting Rod さんがブースト

I've been a professional musician since the end days of selling CDs, and I would like to say that having experienced the decline of CD sales because of piracy transition into the paid streaming era it's unambiguous that musicians were better off when mostly everyone was pirating and then some people bought CDs or other merch out of a desire to support vs today when everyone pays a nominal fee to a corporation that pays us nothing and also satisfies their desire to support despite not actually offering support.

I would much rather you pirate anything I have made or worked on vs listening on streaming services, which are an objective nightmare for musicians. Even if you never intend to spend a penny, normalizing piracy is better for us than normalizing the current capitalist-realism nightmare where you get whatever you want and also get to relax into the fiction that you aren't exploiting musicians because you pay the price of one album per month to a giant corporation so you can feel ok about it.

Blasting Rod makes the WRCT 88.3 FM top 10 albums of the week! ブラスティング・ロッドは米国ペンシルバニア州ピッツバーグ市発ラジオ局の週間ランキングのトップ10に入りました!

 

A decadent double album
akin to an indeterministic Ummagumma.

The paths are there for those who wish to find them.

Field Recordings and acoustic guitar/mandolin improvisations produced by S. Shah

released February 11, 2012

sr-shah.bandcamp.com/album/at-one-w…

スティーブンのソロ即興音源

 

Blasting Rod さんがブースト

Here's an outtake from my paper presentation at the Grateful Dead Scholars Caucus at SWPACA. Phil's bass line on the 1st verse of 16 different performances of Playing in the Band.

ONE or EIGHT
2023/6/10(sat)UNLIMITS大須
READY 17:30 / GO! 17:45
ADV&DOOR 2900(+1d 600)
【BAND】
▪Underbug
▪BLASTING ROD
▪GYRO(岡崎)
▪カマラーダ(静岡)
▪PUNHALADA
▪SILENT CROSS ROADS(静岡)

 

Blasting Rod さんがブースト

Hey!
Are ready?
Ok!
Let’s go!
Next time on One or Eight.
2023/06/10 (sat) 18:00 Go!
Advance/Door ¥2900 +1 drink (¥600)
Live Box Unlimits (大須)

Blasting Rod さんがブースト

"As my artist's statement explains, my work is utterly uncomprehensible and is therefore full of deep significance"
Calvin

Blasting Rod さんがブースト

Spring ‘23 gettin’ stone cold crazy round here. More on the way. 23年春はどんどん盛り上がる。その他の詳細はこれから!

【『JURASSIC JADE / Nyx filia』Release GIG at Nagoya 】

2023.5.20(sat) LIVE BOX UNLIMITS 大須
with STONE、BLASTING ROD、BENIGHTED MAJESTY
DJ:MASA

Open 18:00 / Start 18:30
ADV 2,400円 / DOOR 2,900円(+ 1d)

LIVE BOX UNLIMITS 大須
info@unlimits-osu.jp
unlimits-osu.jp

@mrmts 一般的に「日本人はそんなことできません」を平気で言う方は意外といらっしゃいます。

Blasting Rod さんがブースト

Announcing: Bob Matrix Mono.

Do you need to see the founder of the Church of SubGenius dancing on the head of a pin? The pin of a 9-pin dot matrix printer that is!

The Epson FX-80 font is re-used as a modular design, with the “dot” being replaced with a tiny image of J. R. "Bob" Dobbs; the image itself coming from the Atari ST pixel font.

I recommend using Bob Matrix at a size of 192 pixels.

gitlab.com/drj11/font-bobmatri (free and libre licence)

Please boost!

#BobMatrix #SubGenius #Font

Blasting Rod さんがブースト

Having fun on Twitter unpicking a curious thing that happened to me this morning. Someone reached me on Signal thinking I was ChatGPT. Turned out it had given them my number.

Blasting Rod さんがブースト
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Fedibird

様々な目的に使える、日本の汎用マストドンサーバーです。安定した利用環境と、多数の独自機能を提供しています。